One of the heavier bands to come out of the early-’80s L.A. metal scene, W.A.S.P. quickly rose to national infamy thanks to their shock rock image, lyrics, and live concerts.

Unfortunately, once the novelty and scandal began to wear off, the band found it difficult to expand, or even maintain, their audience by relying only on their music.


Leader Blackie Lawless (bass/vocals) was already a rock & roll veteran when he relocated to the West Coast and founded W.A.S.P. with guitarists Chris Holmes and Randy Piper and drummer Tony Richards. The band soon established a reputation as a ferocious live act, thanks in large part to Lawless‘ habits of tying a semi-naked model to a torture rack and throwing raw meat into the audience. And with the release of their self-explanatory independent EP, Animal (F**k Like a Beast), W.A.S.P. became impossible to ignore.


They signed to Capitol Records, and with songs like “I Wanna Be Somebody” (an absolute anthem to blind ambition) and “L.O.V.E. Machine” leading the way, their self-titled 1984 debut was an instant success. W.A.S.P. took their horror show on the road, and their momentum continued to build with the following year’s The Last Command, which featured new drummer Steven Riley and the band’s biggest hit, “Blind in Texas.” Later that year, the band gained even more prominence as one of the biggest targets of Tipper Gore and the P.M.R.C. (Parents’ Music Resource Center), a group of Washington housewives leading a crusade against violent, sexist song lyrics. Though the incident (which included Senate hearings on the issue with guest speakers as disparate as Frank Zappa, John Denver, and Dee Snider from Twisted Sister) would cause more publicity than actual results, it served to make W.A.S.P. a household name — for good and for worse.


Ironically, the band toned down their act for 1986’s Inside the Electric Circus, a lackluster, repetitive album which saw Lawless switch to guitar (replacing the departed Piper) and the hiring of bassist Johnny Rod. The blood and guts were largely gone (as were the good songs), and despite releasing a strong live album entitled Live…In the Raw the following year, the band’s popularity began to plummet. The all-time low arrived with the release of Penelope Spheeris’ heavy metal “rockumentary” The Decline of Western Civilization 2: The Metal Years. An expose about the L.A. metal scene, the film’s most dramatic and depressing sequence showed an inebriated Chris Holmes drinking himself into a stupor in full stage gear while lying on a float in his mom’s swimming pool. In a movie filled with debauchery and decadence, this scene was by far the scariest.


1989’s Headless Children (featuring ex-Quiet Riot sticksman Frankie Banali) was a return to form, but it couldn’t revert the band’s slump and W.A.S.P. disbanded soon after. Lawless eventually returned as a one-man show for 1993’s The Crimson Idol, an ambitious rock opera/concept album billed as Blackie Lawless & W.A.S.P. Resurrecting the band’s old shock rock antics, but alas, not fame and fortune, the album flopped, and the following year’s greatest-hits set, First Blood…Last Cuts, seemed like their last chapter.


But the resilient Lawless returned once again, luring guitarist Chris Holmes back into the fold and recruiting bassist Mike Duda and drummer Stet Howland for 1996’s Still Not Black Enough. This lineup has continued to tour and record for a number of independent labels, with their albums including 1997’s K.F.D., 1999’s Helldorado, and 2001’s Unholy Terror. The band released Dying for the World in 2002, an exceptional collection of unusually serious material inspired by the terrorist attacks of September 11, 2001. It was followed in 2004 by the conceptual Neon God, Pt. 1 and Pt. 2, with Dominator arriving in 2006. ~ Ed Rivadavia, All Music Guide

Mötley Crüe Los Angeles, California in 1981.

The band was founded by bass guitarist Nikki Sixx (who was, at the time, in a band called London) and drummer Tommy Lee, who were later joined by guitarist Mick Mars and singer Vince Neil. Mötley Crüe has sold over 80 million album copies worldwide

The band has often been noted for their hard-living lifestyles; all members have had numerous brushes with the law, spent time in jail, suffered long addictions to alcohol and drugs, had countless escapades with women, and are heavily tattooed. Their ninth studio album entitled Saints of Los Angeles was released on June 24, 2008, while a film adaptation of their best-selling band autobiography The Dirt, is due to be released sometime in 2009.

Formation and early years: 1981-1983

Mötley Crüe was formed on January 17, 1981 when bassist Nikki Sixx left the band London and began rehearsing with Tommy Lee and vocalist/guitarist Greg Leon[3]. Lee had worked previously with Leon in a band called Suite 19 and the trio practiced together for some time with Leon eventually deciding not to continue. The bassist and drummer then began a search for new members. Sixx and Lee soon met guitarist Robert “Mick Mars” Deal. Mars was quickly auditioned and subsequently hired by Sixx and Lee. Mars had been playing for a band, White Horse, when one of the members called the group “a motley looking crew.” He had remembered the phrase and later copied it down as Mottley Kru. Modifying the spelling slightly, ‘Mötley Crüe’ was eventually selected with the inspiration to add the two sets of umlauts supposedly coming from the German beer the members were drinking at the time. The group was still in need of a singer. Lee had known Neil from their high school days at Royal Oak H.S. in Covina and the two had performed in different bands on the garage-band circuit. On seeing him perform with the band Rockandi (pronounced Rock-Candy) at the Starwood in Hollywood, Mars suggested Mötley Crüe hire Vince. At first he refused. However, as the other members of Rockandi became involved in outside projects, Neil grew anxious to try something else. When Lee made one final appeal to audition he accepted.

They soon met their first manager, Allan Coffman. The band’s first release was the single “Stick to Your Guns/Toast of the Town,” which was released on their own label, Leathür Records, which had a pressing & distribution deal with Greenworld Distribution in Torrance. In November 1981, their debut album Too Fast for Love was self-produced and released on Leathür, selling 20,000 copies. Coffman’s assistant Eric Greif set up a tour of Canada, while they used the band’s success in the Los Angeles club scene to negotiate with several record labels, eventually signing a recording contract with Elektra Records in late spring 1982. At Elektra’s insistence, the debut album was then re-mixed by producer Roy Thomas Baker and re-released on August 20, 1982, two months after its Canadian WEA release using the original Leathür mixes, to coincide with the tour.

During the “Crüesing Through Canada Tour ’82,” there were several widely-publicized incidents. First, the band was arrested and then released at Edmonton International Airport for wearing their spiked stage wardrobe through Customs and for Vince’s small carry-on filled with porn magazines (both PR stunts) – considered ‘dangerous weapons‘ and ‘indecent material’, Customs eventually had the confiscated items destroyed. Second, a spurious ‘bomb threat‘ against the band, playing Scandals Disco in Edmonton, made the front page of the Edmonton Journal[5](June 9, 1982) where assistant band manager Greif and Lee were interviewed. This ended up being a PR stunt perpetrated by Greif. Lastly, Lee threw a television set from the upper story window of the Sheraton Caravan Hotel. Canadian rock magazine Music Express noted that the band were “banned for life” from the city. Despite the tour ending prematurely in financial disaster, it was the basis for the band’s first international press.

In 1983, the band changed management from Coffman to Doug Thaler and Doc McGhee. McGhee is best known for managing Bon Jovi & Kiss, starting with their reunion tour in 1996. Greif subsequently sued all parties in a Los Angeles Superior Court action that dragged on for several years, and coincidentally later re-surfaced as manager of Nikki’s former band, London. Coffman himself was sued by a couple of investors for whom he had sold ‘stock in the band’, including Michigan-based Bill Larson. Coffman eventually declared bankruptcy, as he had mortgaged his home at least three times to cover band expenses.

 At height of fame: 1984–1991

After playing the US Festival, and with the aid of the new medium of MTV, the band found rapid success in the United States. They were also known as much for their backstage groupie antics, outrageous clothing, extreme high-heeled boots, heavy make-up, and seemingly endless abuse of alcohol and drugs as for their recordings. Their mixture of heavy metal and glam rock stylings produced several best-selling albums during the 1980s, including Shout at the Devil (September 26, 1983), Theatre of Pain (June 21, 1985), and Girls, Girls, Girls (May 15, 1987), which showcased their love of motorcycles, whiskey and strip clubs, as well as telling tales of substance abuse, sexual escapades, and general decadence.

The band has also had their share of scrapes with the law and life. In 1984, Neil wrecked his car on his way back from the liquor store. He was in a head-on collision, and his passenger, Hanoi Rocks drummer Nicholas “Razzle” Dingley, was killed. Neil, charged with a DUI and vehicular manslaughter, was sentenced to 30 days in jail (though he only spent 18 days). The band would later release box sets entitled “Music to Crash Your Car To“.

In 1987, Sixx suffered a near-fatal heroin overdose. He was declared legally dead on the way to the hospital, but one medic refused to give up and gave Sixx two shots of adrenaline to the heart, bringing him back to life. His few minutes in death were the inspiration for the band’s song “Kickstart My Heart,” which peaked at #16 on the Mainstream U.S. chart, and was featured on their album Dr. Feelgood. Their decadent lifestyles almost shattered the band, until managers Thaler and McGhee pulled an intervention, and refused to allow the band to tour in Europe, fearing that “some [of them] would come back in bodybags“. Shortly after, all the band members except for Mars underwent rehabilitation; Mars cleaned up on his own.

After finding sobriety in 1989, Mötley Crüe reached its peak popularity with the release of their fifth album, the Bob Rock produced Dr. Feelgood, on September 1, 1989. On October 14 of that year, it became their only No. 1 album and stayed on the charts for 109 weeks after its release. The band members each stated in interviews that, due in no small part to their collective push for sobriety, Dr. Feelgood was their most solid album musically to that point, and indeed, one of their best albums to date.

In 1989, McGhee was fired after breaking several promises that he made to the band in relation to the Moscow Music Peace Festival including giving his other band, Bon Jovi, advantages with slot placement. Doug Thaler then soldiered on as sole band manager.

On October 14, 1991 the band’s 6th album Decade of Decadence, a compilation, was released. It peaked at #2 on the Billboard charts. It was supposed to be just something for the fans while they worked on the next “all new” album.

 Years of Turmoil: 1992–2003

After Decade was released, Neil left the band in February 1992. A controversy exists to this day over whether Neil was fired or quit. Sixx has long maintained that Neil quit the band. However, Neil disputes this and insists that he was fired. Neil was replaced by John Corabi (formerly of Angora and The Scream). Mötley Crüe’s commercial success waned throughout the 1990s, although their self-titled March 1994 release made the Billboard top ten (#7). Thaler would manage the band alone until 1994, after the band did a mass-firing when their album, Mötley Crüe, failed to meet commercial expectations.

The band reunited in 1997, after their current manager, Allen Kovac, and Neil’s manager, Bert Stein, set up a meeting between Neil, Lee, and Sixx. Agreeing to “leave their egos at the door,” the band released Generation Swine. Although it debuted at #4, and despite the band performing at the American Music Awards, the album was a commercial failure, due in part to their label Elektra Records’ lack of support.[ citation needed ] The band soon left Elektra and created their own label, Mötley Records.

In 1998, Mötley Crüe’s contractual ties with Elektra Records had expired putting the band in total control of their future. This included the ownership of the masters of all their albums. In announcing the end of their relationship with Elektra Records, the band became one of the few groups in history to own and control their publishing and catalogue of recorded masters. In 1999, the band re-released all their albums, dubbed as Crücial Crüe. The limited-edition digital re-masters included demos and previously unreleased tracks.

In 1999, Lee put his role in the band on hold to pursue a solo career due to increasing bad tension with frontman Neil. He was replaced by Randy Castillo, who drummed on several Ozzy Osbourne albums. Randy died of cancer on March 26, 2002. No replacement had been named which sent the band into a hiatus following a 2000 tour in support of their studio release, New Tattoo. New Tattoo charted at #41 and sold less than 200,000 copies. Former Hole Drummer Samantha Maloney filled in on the tour to promote New Tattoo. The Salt Lake City performance of the tour is featured on the the DVD Lewd, Crüed & Tattooed..

Within the following six years, Sixx played in the bands 58 and Brides of Destruction, while Lee formed Methods of Mayhem and performed as a solo artist. Neil continued touring on an annual basis as a solo artist, singing mostly Mötley Crüe songs. Mars, who suffers from a rare degenerative form of arthritis called ankylosing spondylitis, went into seclusion in 2001.

A 2001 autobiography entitled The Dirt carefully packaged the band as “the world’s most notorious rock band”. The book made the top ten on the New York Times best-seller list and spent ten weeks there.

 Reunion and new album: 2004–present

A promoter in England, Mags Revell, started the ball rolling for Mötley Crüe’s reunion when he started a promotion that basically revealed how fans wanted the band to reunite. After meeting with management several times, in September 2004, Sixx announced that he and Neil had returned to the studio and had begun recording new material. In December 2004, the four original members announced a reunion tour which began February 14, 2005, in San Juan, Puerto Rico. The band’s latest compilation album, Red, White & Crüe, was released in February 2005. It features the band members’ favorite original songs plus three new tracks, “If I Die Tomorrow“, “Sick Love Song”, co-written by Sixx and James Michael as well as a cover of The Rolling Stones’ classic “Street Fighting Man”. A small controversy was caused when it was suggested that neither Tommy nor Mick played on the new tracks (duties were supposedly handled by Vandals drummer Josh Freese and ex-Beautiful Creatures guitarist DJ Ashba). However, a VH1 documentary of the band reuniting would later show that Lee did indeed play on some of the tracks. The Japanese release of Red, White & Crüe, includes an extra new track titled “I’m a Liar (and That’s the Truth)”. Red, White & Crüe charted at #6 and has since gone platinum.


In 2005, Mötley Crüe were involved in an animation-comedy spoof Disaster!, written by Paul Benson and Matt Sullivan and was used as the introduction film to concerts on their Carnival of Sins tour.


In 2006, Mötley Crüe went on the Route of All Evil Tour co-headlining with Aerosmith. This was another well attended tour following the “Carnival of Sins” tour of 2005. In June 2007, Mötley Crüe set out on a small European tour. A lawsuit was recently filed by Neil, Mars and Sixx against Carl Stubner, Lee’s manager. The three sued him for contracting for Lee to appear on two unsuccessful reality shows the band claim hurt its image.[ citation needed ] It was reported on that the lawsuit has been settled.


Mötley Crüe’s ninth studio album, titled Saints of Los Angeles was released in Japan on June 17 and in America on June 24. The album was originally titled “The Dirt”, but was changed. The album features the band’s original lineup.

On March 25th, 2008, Canadian radio station 97.7 Htz-Fm, located in St. Catharines, Ontario, played a 30 second clip of the album’s first single, “The Saints Of Los Angeles”.  The clip was sent to them by the band. The clip was posted on by fans of the band.

On April 11, Mötley Crüe released the song “The Saints Of Los Angeles” in full, and also as a downloadable song for the game Rock Band, on April 15. The song is available on

On April 15, Mötley Crüe officially announced the first Crüe Fest, modeled after “Ozzfest“. The 2008 main acts are Mötley Crüe, Buckcherry, Papa Roach, Sixx: A.M. and Trapt. The Tour began on July 1 in West Palm, Florida.

On June 20, Mötley Crüe appeared on Larry King Live . Mötley Crüe sat down and talked with Larry King about the recent reunion of the band and their new album and tour.

On June 23rd, Mötley Crüe was interviewed by Greta Van Susteren on FOX News Channel. Controversially, Tommy asked Greta at the end of the interview “What color panties are you wearing?”.

Mötley Crüe had announced that sometime in 2009 is the possible release date for the movie, The Dirt, based on the based on the book written by Neil Strauss. Rumors about the cast of characters in this movie include Christopher Walken as the famous rock and roll star Ozzy Osbourne and Val Kilmer as David Lee Roth.

On June 24th, Saints of Los Angeles was finally released.


Acts such as Marilyn Manson, NIN, Towers of London, Moby, Murderdolls, Linkin Park, Backyard Babies, Private Line, The Living End, Mana, Papa Roach, Hardcore Superstar, and Vains of Jenna have cited them as an influence in recent years, most notably for Too Fast for Love and Shout at the Devil. They’ve also been parodied for their early look in music videos by a variety of artists such as Bowling for Soup, Beck, Red Hot Chili Peppers, New Order, Aerosmith and the Backstreet Boys.

The band has been featured on a number of VH1 countdown shows, ‘Dr. Feelgood’ was ranked the #7 Greatest Air Guitar Song, ‘Live Wire’ was ranked the #17 Greatest Metal Song Of All Time on VH1‘s 40 Greatest Metal Songs, and ‘Home Sweet Home’ was ranked the #12 greatest power ballad of all time. Mötley Crüe were featured several times on VH1‘s 100 most metal moments, their highest spot being #3. VH1 included the Tommy Lee sex tapes, The Dirt, Ozzy and Nikki pee at an incident and the Moscow Music Peace Festival; all featured in the countdown. Mötley Crüe has also been one of the many bands featured on VH1: Behind the Music. The band was also ranked #19 on VH1‘s list of the most popular hard rock bands.

Building on the popularity and the desire of fans to see The Crüe between World tours, a wide variety of tribute acts have spawned who celebrate and pay homage to the different eras and albums over the years. Red Hot, a tribute from L.A., captures the look and feel of the Shout at the Devil era with black and red leathers. Theatre of Pain captures the spandex and lipstick attitude of the album of the same name. And Carnival of Sins rounds out the tributes with a rendition of the current Crüe image that brings to mind the crüdeness of the Mötley moniker. The band even has an all-female version from New York City, Girls Girls Girls, who cover all eras of the band’s music without emulating the look of any specific Crüe era.

Band members

 Current members

 Former members

  • John Corabi – rhythm guitar, lead and backing vocals (1992-1997)
  • Randy Castillo – drums, percussion, backing vocals (1999-2000)
  • Samantha Maloney (touring musician) – drums, percussion, backing vocals (2000-2001)

 Additional musicians

  • Will Hunt – drums (2006, 2007): Filled-in for injured Tommy Lee on the last few dates of North American tour, as well as a few dates on 2007 European tour
  • Harvey Warren, from Calgary band Broken Toys[11] – drums (2006): Played on April 5, 2006 at the Enmax Centrium in Red Deer, Alberta, Canada when Tommy Lee was injured
  • Donna McDaniel – touring backing vocals[12][13]
  • Emi Canyn – touring backing vocals[14][15]



Studio Albums


  • “Anywhere USA” – Northern California Tour (1981)
  • Too Fast For Love Tour (1981)
  • Cruesing Through Canada Tour (1981-1982)
  • Shout at the Devil World Tour (1983-1984)
  • Welcome To The Theatre Of Pain Tour (1985-1986)
  • Girls, Girls, Girls World Tour (1987)
  • Moscow Music Peace Festival (1989)
  • Dr. Feelgood World Tour ’89 – ’90(1989-1990)
  • Monsters Of Rock Tour 1991 (1991)
  • Anywhere There’s Electricity Tour (1994)
  • Live Swine Listening Party Tour (1997)
  • Generation Swine Tour (1997)
  • Mötley Crüe Vs. The Earth Tour (1997)
  • Greatest Hits Tour (1998-1999)
  • Maximum Rock Tour (1999)
  • Welcome To The Freekshow Tour (1999)
  • New Tattoo Tour (2000)
  • Japanese Tour 2000 (2000)
  • Red, White & Crüe Tour (2005)
  • Carnival Of Sins Tour (2005-2006)
  • Route of All Evil Tour (2006)
  • 2007 Tour (2007)
  • Crüe Fest (2008)