Festival snares compelling drummers

Terri Lyne Carrington, Cindy Blackman
Terri Lyne Carrington (left) and Cindy Blackman.
By Siddhartha Mitter
 Globe Correspondent  2008
cindy-blackman-adriana

Cindy Blackman & Adriana Sassoon

In many cultures, the drum is the preferred means of making an announcement. So it’s appropriate that the opening salvo of this year’s BeanTown Jazz Festival – the fall event that, in eight years of existence, has grown into an important gathering of local and national acts – will take the form of a drum summit.

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Featuring two of today’s most compelling jazz drummers, Terri Lyne Carrington and Cindy Blackman, the Sept. 26 showcase at the Berklee Performance Center will offer a rare opportunity to hear, in one evening, two contrasting drum styles as well as two bands in which the player behind the skins is also the leader.Carrington and Blackman are both former Berklee students who went on to respected careers, albeit on somewhat different tracks. A local product (she grew up in Medford), Carrington was a child prodigy who attended the school in her early teens and went on to play with the likes of Herbie Hancock and Wayne Shorter before moving to Los Angeles where, for a time, she was the drummer in the Arsenio Hall Show band. She’s now based back in Boston, teaching at her alma mater.

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Blackman didn’t finish school, bolting instead for New York, where she started as a street musician in the ’80s. She’s now best known for her many years playing with rocker Lenny Kravitz. But both she and Carrington have maintained jazz identities and careers – mainly as first-call sidewomen, with sporadic outings as leaders. (“Music for the New Millennium,” Blackman’s new double album with a groovy electro-acoustic group, just came out but was recorded in 2005; Carrington has a record due out next year.)Programming the two on the same bill highlights, of course, how rare it is to hear a woman behind the drum kit. And Carrington in particular is underscoring the gender theme through the special lineup she’s assembled for this show. It includes the singer Patrice Rushen and the pianist Geri Allen, along with a rising young saxophonist from the Netherlands, Tineke Postma.

“You reach out to like-minded people,” Carrington says on the phone from her home. She volunteers that it was her intention to gather top women players, while in the same breath starting to change the subject. “It’s a celebration of women in jazz,” she says, “but I don’t want to dwell on that.”Blackman is more adamant on the topic. “The gender question is not even worth bringing up because the drums have got nothing to do with gender,” she says on the phone from a gig in France. “I’m there because I love to play music. And I’m in support of anyone who wants to play the instrument.

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“I wouldn’t care if Art Blakey was pink with polka dots and wearing a tutu,” she adds, citing the great drummer-bandleader. “I wouldn’t care if Tony Williams was green.” Williams, who played with Miles Davis, is the drummer she cites as her greatest influence among a pantheon of others, including Papa Jo Jones and Max Roach.And it’s true: Even if women are a minority in jazz, and perhaps especially on drums, there’s nothing inherent in Carrington’s or Blackman’s style that one can attribute to gender. Rather, there is the influence of these great elders; and there is each woman’s personal aesthetic and approach to an instrument that – made up as it is of a large and malleable assortment of drums and cymbals – offers almost endless possibilities.

It will be a special treat if, following each group’s set, Carrington and Blackman take the stage together to make this summit truly one to remember. At the time of these conversations the two hadn’t yet planned it out, but Carrington says there’s a good chance it will happen.”It’s a difficult instrument to do that with,” she says. “People like to see the competitive aspect of it. But if we do play together it definitely won’t be in any kind of drum battle. I do mine and she does hers, and both should be celebrated.”

Drum Summit is at Berklee Performance Center Sept. 26.                     617-747-2261             

www.berkleebpc.com

http://cindyblackman.com/

http://www.myspace.com/jushearose

 

Upcoming at the ICA

A stunning new exhibition, music, film & more

TARA DONOVAN OPENS FRIDAY, OCTOBER 10
“Magical in that transcendent way” – Chuck Close 

The ICA presents the first museum survey of the acclaimed sculptor and MacArthur Foundation “Genius” grant recipient. See 16 sculptures and installations from the past decade including a new work created for the exhibition.

Related Programs

 • Tara Donovan in Conversation with Lawrence Weschler
   Tuesday, October 14, 7:30 pm
   The artist discusses her work with Weschler, an award-winning author
   and New Yorker staff writer for more than twenty years. Buy Tickets Now

New Course! Look Here: Introduction to Contemporary Sculpture
   Starts October 21
   Has Tara Donovan piqued your curiosity about today’s sculpture? This 5-
   week program led by Randi Hopkins will offer diverse perspectives on what it
   means to make and appreciate contemporary sculpture. Register Now

NEW MUSIC NOW: EVAN PARKER AND MARILYN CRISPELL
Friday, October 10, 7:30 PM
“Parker may be the most formidable saxophonist since John Coltrane” 
                                                                                                    – All About Jazz
“Hearing Marilyn Crispell play solo piano is like monitoring an active volcano.”
                                                                                            – The New York Times
 Buy Tickets Now ($10 student rush tickets available at 6:30 with valid ID)

THE INTERNATIONAL EXPERIMENTAL CINEMA EXPOSITION
Saturday, October 11, 6 PM
See the best celluloid works, from the latest contemporary works to archival films. The screening includes several Boston premiere works and Q & A with the filmmakers. Note: some films include adult content. Buy Tickets Now

ICA MASKED Costume Party
Friday, October 31, 9 pm – 1 am
DJ Francesco Spagna with live percussion by Joakin Eskasan
Award for best costume given at midnight
Open Bar • Candy Bar • Halloween-themed surprises throughout the evening
Tickets: $125 ($100 members); proceeds benefit the ICA   Buy Tickets Now

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The stylists were given a major dare in the final challenge: They had to copy one of Vidal Sassoon’s most famous bobs — with Sassoon as the guest judge. Yes, Vidal Sassoon, the rock star of haircutting, the man who liberated women from the tyranny of weekly hairdresser’s appointments in the 1960s by creating geometric haircuts that were truly wash and wear. This is the guy who gave Mia Farrow her Rosemary’s Baby pixie — another cut that pushed the envelope and redefined femininity. Can you imagine how nervous the stylists were? They may have acted calm — but they were shaking in their shoes.

The stylists also had to create two other cuts — and all of the looks had to tell a story. I know, it’s complicated. I can’t say it was easy for me to follow, either. And to top that off, they had to be sure the cuts flattered the models and their dresses. Oh, and they had to accomplish it all in three hours.

http://video.aol.com/video-detail/finale-vidal-sassoon-blog-pt1/31703643/?icid=VIDURVENT01

 

 

 

 

Checking in on the Mandarin

By Mark Shanahan & Paysha Rhone

A swanky crowd of high rollers gathered in the lobby of the new Mandarin Oriental, Boston yesterday to sip wine and watch Mayor Tom Menino and hotel developers Robin Brown and Stephen Weiner (along with their wives, Marcia and Roberta, respectively, and the hotel brass) cut the fancy red ribbon. The party also featured dancing men dressed as Chinese lions and a solemn feng shui blessing by Mandarin bigwig Terry Stinson. Taking in the scene were city councilor Michael Ross, construction magnate John Fish, Massport director Tom Kenton, powerbroker Kevin Phelan, the Rev. Ray Hammond, and Mizu salon owner Elan Sassoon and his wife, Adriana. Weiner gave a heartfelt speech, in which he detailed the 13-year project and thanked his late partner, Julian Cohen (Cohen’s wife, Carol, was in the crowd). Weiner added that his 11-year-old granddaughter Rachel is already working on him to hold her bat mitzvah at the Mandarin, because ” ‘It will be free!’ Free! What a great concept,” he joked.

 http://www.mandarinoriental.com/boston/

Here’s another exciting event I’m involved in with other designers in which I will be headlining the evening’s finale. I hope to see you and your friends there. I’m also attaching a few links where you can view images from my last show for Boston Fashion Week at the Marlowe Hotel. They are www.earneststudios.com , www.bostonfashion.com and www.bostonfashionindustry.com
 
Thanking you all in advance,
Samuel Vartan
Womens & Mens Collections
 
M 508.962.5334
sv@samuelvartan.com
www.samuelvartan.com

 

 

Live Earth India

Live Earth India Press ConferenceLive Earth is doing it again! On December 7, 2008, there will be a concert for a climate in crisis in Mumbai featuring world-renowned musicians and performers, environmental advocates and celebrities from India, the U.S. and beyond. Live Earth India will feature personal and policy solutions to the climate crisis, offer support for India’s most important environmental issues and causes, and provide a platform so India can continue its global climate leadership.

India didn’t cause the climate crisis, but it will suffer some of the most serious consequences of global warming (drought and flooding could produce hundreds of millions of climate refugees) if we don’t act now. We are honored to bring Live Earth to India and with participants like Mr. Gore, Indian environmental leader Dr. R. K. Pachauri, actor and Live Earth India spokesperson Amitabh Bachchan, and Jon Bon Jovi. Along with amazing entertainers we will benefit TERI’s Light A Billion Lives campaign and The Climate Project India, which are dedicated to promoting awareness and finding solutions to current climate situations while alleviating poverty. Please check out daily updated information on our new website at http://liveearth.org/category/india or check out video from our Mumbai press conference at http://liveearth.org/category/press/ Live Earth India will be broadcast in India on STAR Plus and worldwide online at MSN: more updates soon on “Friends of Live Earth India” and how you can watch it at home!

Live Earth Votes!

Rock the VoteIf you visit http://www.liveearth.org you’ll notice some changes – one of the most important components of our new website is Live Earth Vote. When enough of us do and say the same thing, no politician can afford to ignore us. Register to vote today and cast your vote for the climate on November 4, 2008. At Live Earth Vote (http://liveearth.org/vote) you can register to vote (hurry – many states close voter registration on October 6th!) and find out more about how the candidates stack up on environmental issues. You can also register by using this link – don’t wait!!
http://www.rockthevote.com/rtv_register.html?api_key=0LhlC2vLcOFWDLaULQNRcvD0WEQ&ms=siu

Live Earth and Pepsi Recycling

Pepsi Recycling and Live EarthLive Earth and Pepsi have been partners since our Giants Stadium show last year (maybe you were there and saw the dinosaur sculptures made out of Pepsi cans?). This year in North America you might see one of 500 million Pepsi cans that have been produced in partnership with Live Earth. We’ve created a fun website to support the campaign – http://www.liveearth.org/pepsi – since the cans are reaching the market now we included ways to register to vote, information on candidates, and some fun ideas about what you can do with a pepsi can (check out the Pepsi can yeti!) – upload your own photos of pepsi can sculpture or other creative ways to reuse and recycle!

 

Filmography

Jump to: Film | Television | In Development

FILM

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Love Lies Bleeding

Consumer Rating: Be the first one to write a review on this product
Christian Slater stars in this thriller about a corrupt government agent’s attempt to get back stolen money from a young couple. After they witnessed a shootout in their apartment complex, the pair runs away with their newfound riches. Unfortunately for them, Slater’s DEA agent is not willing to let his fortune go and embarks on an action-packed chase.

 Production Credits

Director – William Tannen
Screenplay
Tony Rush
Producer
Elan Sassoon

 Company Information

Acropolis Entertainment – Production Company
Village Roadshow Pictures Entertainment – Production Company
Avoca Film Partnership – Production Company

  Movies:
 Cafe Society

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·                                 Genre: Drama

·                                 Movie Type: Urban Drama

·                                 Director: Raymond de Felitta

·                                 Main Cast: Frank Whaley, Peter Gallagher,

                            Lara Flynn Boyle, John Spencer

·                                 Release Year: 1995

·                                 Country: US

·                                 Run Time: 114 minutes

                    MPAA Rating: R

Plot

This urban drama examines the diverse lives of the patrons of a fictional bar for the rich and famous, El Casbah. Among them are the playboy heir to a margarine fortune, Mickey Jelke, and Jack Cale, a handsome actor who has become a new client and works hard to ingratiate himself to others. Using the influence of a press agent and a pimp, Jack becomes friends with Mickey and his lover Pat Ward, a tough, worldly young woman. When Mickey is cut out of the family will, he suggests that Pat become a call girl so they can continue living in luxury. Suddenly Jack reveals his true identity; he has been working undercover for the politically ambitious New York City district attorney. The district attorney uses Jack’s information to frame Mickey which gets him billed as the Big Apple’s king of vice, and no one is very happy by the time the trial comes around. ~ Sandra Brennan, All Movie Guide

Cast

·                                 Frank WhaleyMickey Jelke

·                                 Peter GallagherJack Kale

·                                 Lara Flynn BoylePat Ward

·                                 John SpencerRay Davioni


David Patrick KellyJ. Roland Sala; Kelly BishopMrs. Jelke; Marshall Erwin EfronMoe Persky; Zach GrenierMilton Macka; Anna Levine – Erica Steele; Alan MansonJudge Valente; Christopher Murney – Frank Frustinsky; Alan NorthFrank Hogan; Richard B. ShullSamuel Segal; Stephen Scott – Blue Angel Piano; Paul GuilfoyleAnthony Liebler

Credit

Jim Steele – Executive Producer; Carl Colpaert – Executive Producer; Raymond de Felitta – Director; Raymond de Felitta – Screenwriter; Christoph Henkel – Producer; Michael Mayers – Cinematographer; Larry Meistrich – Co-producer; Georgianne Walken – Casting; Stephen Alexander – Producer; Betsy Alton – Set Designer; Markus Canter – Production Designer; Suzy Elmiger – Editor; Elan Sassoon – Producer; Frederic Bouin – Executive Producer; Sheila Jaffe – Casting; Juliet A. Polcsa – Costume Designer; Brandon Rosser – Production Manager; Tracy Warbin – Makeup; Robert Strauss – Producer

HOMAGE

 Buy Now

 Directed by Ross Kagan Marks

Starring Blythe Danner, Bruce Davison, Sheryl Lee, Danny Nucci, Frank Whaley

In the opening moments of this drama, we see a man brutally murder a woman, and in the story that follows, we look back at the events that led up to this tragedy as the killer awaits trial. Archie Landrum (Frank Whaley) is a brilliant mathematician who is socially inept and doesn’t interact well with others. He takes a job as a caretaker at a ranch in New Mexico owned by Katherine Samuel (Blythe Danner). Archie has a good reason for wanting to work for Katherine; her daughter Lucy (Sheryl Lee) is the star of the TV show “Banyon’s Band” and has appeared in a series of R-rated sexploitation films; Archie is obsessed with Lucy, and he hopes that working for her mother will bring him closer to her. Sure enough, Lucy comes to New Mexico to pay her mother an extended visit, but familial warmth is less a factor than Lucy’s need to dry out from her periodic bouts with alcohol and drug abuse. Archie tries to ingratiate himself with Lucy, hoping that she might develop a romantic or sexual interest in him, but it soon becomes obvious that this is not to be. This does nothing to ease Archie’s fascination with her; he begins spying on her and reading her diary, until the inevitable day when his obsession turns violent. Mark Medoff wrote the screenplay, adapted from his own play “The Homage That Follows;” Bruce Davidson appears as the public defender assigned to represent Archie in court. ~ Mark Deming, All Movie Guide

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A Brooklyn State of Mind 

 

 

 

 

 

 

Civil Court for Madrid from Zaha Hadid

by Ali Kriscenski

 

It is difficult to ignore the designs of Pritzker Prize winning architect Zaha Hadid. Bold, brave, often controversial – her ambitious experiments in form always seem to stir discourse and debate. Hadid’s design for the new civil courts building in Madrid is no exception. Planned as part of the new Campus de la Justicia at Valdebebas in the Spanish capital city, Hadid’s Civil Court is expected to become a focal point among works from Norman Foster, IM Pei and others. While we are not always big fans of Hadid’s obsession with form, we are intrigued by the “intelligent” façade of this Madrid courthouse, that in addition to being extremely eye-catching, is intended to regulate the building’s indoor environment.

It is of course the intelligent façade that caught our eye with this design. Made of metallic panels, this double-ventilated envelope is a dynamic, moving component that will respond to the environment by opening and closing. We only have an abstract understanding based on the architect’s website, but it sounds like heating, cooling and ventilation will all be moderated and control through this intelligent façade. On the roof, these metal panels will include integrated photovoltaic cells.

The proposed 74,500 square meter (~800,000 square foot) building features a spiraling semi-circular atrium that overlooks an interior public courtyard. This space is meant to draw visitors and connect the building with the surrounding campus. The atrium also brings natural light down through the building and into court rooms.

The project is slated for completion within two years and, as with all of Zaha Hadid’s extreme designs, we definitely plan to follow the progress and check it out in its final form. Always interesting and thought provoking (both good and bad), there is something about the work of this architect that just keeps her in our sights. It will be interesting to see if her latest design

 

 

In the name of the father

Vidal Sassoon’s groundbreaking hairstyles made him a legend. Then he sold out. Now his son, Elan, hopes to build on his vision.

By Christopher Muther, Globe Staff
October 2, 2008
Elan Sassoon was, for years, quite certain he had no interest in the family business. The hair salons, sleek beauty schools, and product lines that made his father, Vidal Sassoon, the best-known hairstylist in the world held little allure. Instead, the younger Sassoon graduated from college in 1993, raised $10 million, and started producing films.

In a few years, his company, Skyline Entertainment, was making critically lauded indie movies with stars such as Blythe Danner, Peter Gallagher, and Lara Flynn Boyle. He was walking the red carpet at Cannes, hanging out with Gwyneth Paltrow and Ethan Hawke.

“I was Mr. On-the-Rise Film Guy,” Sassoon, now 38, recalls.

But the demands of film schedules and festivals, while making him someone to watch in the movie industry, was putting stress on his marriage. He had to make a choice: film or family. He chose family.

The decision drew Sassoon back to the family business, and in no small way. Next year, on Commonwealth Avenue near Boston University, he’ll open the Institute of Hairdesign by Elan Sassoon, slated to be the largest cosmetology school in the world, the first of four across the country. This month, he launches two high-end salons called Mizu, one here with his four business partners  at the posh Mandarin Oriental hotel, another in New York on Park Avenue. He’s partnered on a line of spas called Green Tangerine, and rolls out his own product line next year.

Elan Sassoon is not a hairstylist. He’s a businessman, one with a clear motivation for diving back into the industry he grew up with. He’s determined to expand upon his father’s vision – a vision that changed the beauty industry and the salon world, a vision that Vidal Sasson created, nurtured, and then, in 1983, sold for tens of millions of dollars, losing control of his name in the process.

“My dad didn’t really want to sell in the first place, and it’s something that he always regretted,” Sassoon says. “I want to finish what he started.”

A cut above
Vidal Sassoon built an empire based on his famed geometric cuts and the omnipresent catchphrase “If you don’t look good, we don’t look good.” In the 1960s, Vidal ran in the same celebrated, swinging London circles as the Beatles and the Rolling Stones.

In 1968, Vidal Sassoon was paid $5,000 to cut Mia Farrow’s hair on the set of “Rosemary’s Baby” while dozens of photographers captured the moment. Her pixie cut became as emblematic of the era as miniskirts and bell-bottoms. Sassoon’s haircuts were so influential during this period that the designer Mary Quant declared him “the Chanel of hair.” The first celebrity hairstylist, he had his own TV show in the 1980s, “Your New Day.”

The younger Sassoon says he’s building his brand through business acumen. But it doesn’t hurt that he has the most recognized last name in the salon business and grew up immersed in the culture. His father regularly pulled him out of school to travel to international salons and fashion shows.

“I learned a lot about that world because it was all around me, and it was great,” Elan says over a cup of English breakfast tea at the Bristol Lounge last week. “But it wasn’t where I thought I would end up.”

With a laid-back California lilt to his speech and shoulder-length auburn hair, Elan grew up in a world of bigger-than-life Hollywood parties and celebrity classmates in Beverly Hills. While his sisters loved the glamour of a splashy entrance, the shy Elan and his younger brother would avoid the red carpet and slip into events through the back door.

His mother is actress Beverly Sassoon (nee Adams), best known for her recurring role as Lovey Kravezit in the Matt Helm series of films with Dean Martin. After his parents divorced in 1980, Elan lived with both parents, but he was so shy that even his mother’s celebrity boyfriends couldn’t draw him out of his shell.

“My mom was dating Erik Estrada for a while, and he would pick me up from school on his ‘CHiPs‘ motorcycle,” Sassoon says of the ’70s TV heartthrob. “I was so embarrassed I would tell him to park a few blocks away and I would get on there so the other kids didn’t see me.”

Childhood friend Jason Goldberg, who formed Katalyst Media with Ashton Kutcher and produced “Punk’d” and “Beauty and the Geek,” says even though Elan grew up surrounded by decadence, he’s always been remarkably grounded.

“Even when he was a kid, he wasn’t fazed by any of it,” Goldberg says on the phone from Los Angeles. “Here was a guy who always had a good head on his shoulders. He has the business sense and the level of style and taste to pull off just about anything.”

The one business venture Elan couldn’t pull off was the one closest to his heart. In 2002, he tried to buy back his father’s beauty schools and hair salons. Shortly after his parents’ divorce, his father sold his line of hair products to Richardson-Vicks (later acquired by Procter & Gamble) and the salons and beauty schools to his three top salon managers. The way Elan tells it, his father did not want to sell when Richardson-Vicks made its $125 million offer, but he was outvoted by his shareholders. More than two decades later, Elan Sassoon secured financing to buy back the Vidal Sassoon salons and schools, and worked out an agreement with P&G, which owns the Vidal Sassoon name. But his offer was rejected. The salons were sold to the Regis Corp.

“That took six months of my life to plan and put together,” Elan says, still stung by the loss. “It was a pretty big blow when it was sold to Regis.”

He decided then that if he couldn’t buy back the salons and schools his father started, he’d open his own.

What price beauty?
Elan Sassoon’s state-of-the-art school – with tuition of $19,500 a year – will be one of the priciest beauty academies in the country, and only the second with on-campus housing. The 600 students will also undergo more hours of training than any other Massachusetts cosmetology school. Sassoon says his students will graduate with a far broader knowledge of hair cutting and styling, a concept that other salon owners in Boston applaud.

“They are trained to do the basics,” says Serge Safar, owner of Safar Coiffure on Newbury Street, of the students coming out of beauty schools. “But we end up having to train them another year or two before we can put them on the floor. A more complete education would be a huge benefit.”

Sassoon says he’s commissioning new textbooks that will provide a history of beauty. He’s bringing in experts such as Patrick McGinley, who worked as creative director at the Vidal Sassoon salon on Newbury Street, to craft a curriculum.

But one person who will not be teaching at the academy is Vidal Sassoon himself, now 80. When he sold his name, products, and schools, he signed agreements not to re-enter the beauty world. But he has little doubt that his son’s plans will succeed.

“He’s teaching the old man a thing or two,” the elder Sassoon says on the phone from his home in London. “Hair styling has always been a very exciting world. I wasn’t exactly quiet. I guess he saw what was going on and thought, ‘I can do better than him.’ And I honestly think he will.

“I mean, his whole marvelous idea of adding rooms for people to stay while they’re at school – that was his original idea. I never thought of that. We had schools and never did that. He’s a thinker and a visionary. I’m more than pleased.”

Choosing Boston
The decision to locate the academy in Boston was based, in part, on the city’s strong emphasis on education and its large student population. Elan Sassoon was born in New York, grew up in LA, and spent a year at Berkshire Academy.

But Boston became central to Elan’s world for another reason. In January 2007, his wife of 14 years, Adriana, was diagnosed with Hodgkin’s lymphoma. A former ELITE model in her native Brazil, Adriana endured a frustrating series of biopsies in Miami, where the family was living. In search of the best care, Adriana quickly moved to Boston for treatment. Elan and their two children followed that May. The family lives in Chestnut Hill. Adriana recently celebrated her first cancer-free year.

Boston appears to be a good fit for Sassoon, who confesses that he’s far more traditional and strict than his parents when it comes to marriage and family. He was married at the age of 24 and after seeing the result of divorce growing up, his priority is making his marriage work.

“It wasn’t a good situation,” he says of the years after his parents’ divorce. “The boyfriends and the girlfriends and all these people coming into the picture. It’s nice today because I’m still friends with a lot of them. My mom went out with Senator Bill Cohen for three years, he was the secretary of defense. And we’re still friendly.”

Over lemon chicken at P.F. Chang’s a few days later, Sassoon tells stories of a recent New York City media blitz, where magazines such as Men’s Vogue and Details met with him for upcoming feature stories on the low-key and charismatic man and his budding hair empire.

“It’s a little different these days from when I was a kid,” he says. “I think I’ve definitely gotten over my shyness and fear of the red carpet. I kind of enjoy it now.”

Christopher Muther can be reached at muther@globe.com