Here’s another exciting event I’m involved in with other designers in which I will be headlining the evening’s finale. I hope to see you and your friends there. I’m also attaching a few links where you can view images from my last show for Boston Fashion Week at the Marlowe Hotel. They are www.earneststudios.com , www.bostonfashion.com and www.bostonfashionindustry.com
 
Thanking you all in advance,
Samuel Vartan
Womens & Mens Collections
 
M 508.962.5334
sv@samuelvartan.com
www.samuelvartan.com

 

 

Live Earth India

Live Earth India Press ConferenceLive Earth is doing it again! On December 7, 2008, there will be a concert for a climate in crisis in Mumbai featuring world-renowned musicians and performers, environmental advocates and celebrities from India, the U.S. and beyond. Live Earth India will feature personal and policy solutions to the climate crisis, offer support for India’s most important environmental issues and causes, and provide a platform so India can continue its global climate leadership.

India didn’t cause the climate crisis, but it will suffer some of the most serious consequences of global warming (drought and flooding could produce hundreds of millions of climate refugees) if we don’t act now. We are honored to bring Live Earth to India and with participants like Mr. Gore, Indian environmental leader Dr. R. K. Pachauri, actor and Live Earth India spokesperson Amitabh Bachchan, and Jon Bon Jovi. Along with amazing entertainers we will benefit TERI’s Light A Billion Lives campaign and The Climate Project India, which are dedicated to promoting awareness and finding solutions to current climate situations while alleviating poverty. Please check out daily updated information on our new website at http://liveearth.org/category/india or check out video from our Mumbai press conference at http://liveearth.org/category/press/ Live Earth India will be broadcast in India on STAR Plus and worldwide online at MSN: more updates soon on “Friends of Live Earth India” and how you can watch it at home!

Live Earth Votes!

Rock the VoteIf you visit http://www.liveearth.org you’ll notice some changes – one of the most important components of our new website is Live Earth Vote. When enough of us do and say the same thing, no politician can afford to ignore us. Register to vote today and cast your vote for the climate on November 4, 2008. At Live Earth Vote (http://liveearth.org/vote) you can register to vote (hurry – many states close voter registration on October 6th!) and find out more about how the candidates stack up on environmental issues. You can also register by using this link – don’t wait!!
http://www.rockthevote.com/rtv_register.html?api_key=0LhlC2vLcOFWDLaULQNRcvD0WEQ&ms=siu

Live Earth and Pepsi Recycling

Pepsi Recycling and Live EarthLive Earth and Pepsi have been partners since our Giants Stadium show last year (maybe you were there and saw the dinosaur sculptures made out of Pepsi cans?). This year in North America you might see one of 500 million Pepsi cans that have been produced in partnership with Live Earth. We’ve created a fun website to support the campaign – http://www.liveearth.org/pepsi – since the cans are reaching the market now we included ways to register to vote, information on candidates, and some fun ideas about what you can do with a pepsi can (check out the Pepsi can yeti!) – upload your own photos of pepsi can sculpture or other creative ways to reuse and recycle!

 

Filmography

Jump to: Film | Television | In Development

FILM

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Love Lies Bleeding

Consumer Rating: Be the first one to write a review on this product
Christian Slater stars in this thriller about a corrupt government agent’s attempt to get back stolen money from a young couple. After they witnessed a shootout in their apartment complex, the pair runs away with their newfound riches. Unfortunately for them, Slater’s DEA agent is not willing to let his fortune go and embarks on an action-packed chase.

 Production Credits

Director – William Tannen
Screenplay
Tony Rush
Producer
Elan Sassoon

 Company Information

Acropolis Entertainment – Production Company
Village Roadshow Pictures Entertainment – Production Company
Avoca Film Partnership – Production Company

  Movies:
 Cafe Society

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 Rating:

·                                 Genre: Drama

·                                 Movie Type: Urban Drama

·                                 Director: Raymond de Felitta

·                                 Main Cast: Frank Whaley, Peter Gallagher,

                            Lara Flynn Boyle, John Spencer

·                                 Release Year: 1995

·                                 Country: US

·                                 Run Time: 114 minutes

                    MPAA Rating: R

Plot

This urban drama examines the diverse lives of the patrons of a fictional bar for the rich and famous, El Casbah. Among them are the playboy heir to a margarine fortune, Mickey Jelke, and Jack Cale, a handsome actor who has become a new client and works hard to ingratiate himself to others. Using the influence of a press agent and a pimp, Jack becomes friends with Mickey and his lover Pat Ward, a tough, worldly young woman. When Mickey is cut out of the family will, he suggests that Pat become a call girl so they can continue living in luxury. Suddenly Jack reveals his true identity; he has been working undercover for the politically ambitious New York City district attorney. The district attorney uses Jack’s information to frame Mickey which gets him billed as the Big Apple’s king of vice, and no one is very happy by the time the trial comes around. ~ Sandra Brennan, All Movie Guide

Cast

·                                 Frank WhaleyMickey Jelke

·                                 Peter GallagherJack Kale

·                                 Lara Flynn BoylePat Ward

·                                 John SpencerRay Davioni


David Patrick KellyJ. Roland Sala; Kelly BishopMrs. Jelke; Marshall Erwin EfronMoe Persky; Zach GrenierMilton Macka; Anna Levine – Erica Steele; Alan MansonJudge Valente; Christopher Murney – Frank Frustinsky; Alan NorthFrank Hogan; Richard B. ShullSamuel Segal; Stephen Scott – Blue Angel Piano; Paul GuilfoyleAnthony Liebler

Credit

Jim Steele – Executive Producer; Carl Colpaert – Executive Producer; Raymond de Felitta – Director; Raymond de Felitta – Screenwriter; Christoph Henkel – Producer; Michael Mayers – Cinematographer; Larry Meistrich – Co-producer; Georgianne Walken – Casting; Stephen Alexander – Producer; Betsy Alton – Set Designer; Markus Canter – Production Designer; Suzy Elmiger – Editor; Elan Sassoon – Producer; Frederic Bouin – Executive Producer; Sheila Jaffe – Casting; Juliet A. Polcsa – Costume Designer; Brandon Rosser – Production Manager; Tracy Warbin – Makeup; Robert Strauss – Producer

HOMAGE

 Buy Now

 Directed by Ross Kagan Marks

Starring Blythe Danner, Bruce Davison, Sheryl Lee, Danny Nucci, Frank Whaley

In the opening moments of this drama, we see a man brutally murder a woman, and in the story that follows, we look back at the events that led up to this tragedy as the killer awaits trial. Archie Landrum (Frank Whaley) is a brilliant mathematician who is socially inept and doesn’t interact well with others. He takes a job as a caretaker at a ranch in New Mexico owned by Katherine Samuel (Blythe Danner). Archie has a good reason for wanting to work for Katherine; her daughter Lucy (Sheryl Lee) is the star of the TV show “Banyon’s Band” and has appeared in a series of R-rated sexploitation films; Archie is obsessed with Lucy, and he hopes that working for her mother will bring him closer to her. Sure enough, Lucy comes to New Mexico to pay her mother an extended visit, but familial warmth is less a factor than Lucy’s need to dry out from her periodic bouts with alcohol and drug abuse. Archie tries to ingratiate himself with Lucy, hoping that she might develop a romantic or sexual interest in him, but it soon becomes obvious that this is not to be. This does nothing to ease Archie’s fascination with her; he begins spying on her and reading her diary, until the inevitable day when his obsession turns violent. Mark Medoff wrote the screenplay, adapted from his own play “The Homage That Follows;” Bruce Davidson appears as the public defender assigned to represent Archie in court. ~ Mark Deming, All Movie Guide

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 Movies:

A Brooklyn State of Mind 

 

 

 

 

 

 

Civil Court for Madrid from Zaha Hadid

by Ali Kriscenski

 

It is difficult to ignore the designs of Pritzker Prize winning architect Zaha Hadid. Bold, brave, often controversial – her ambitious experiments in form always seem to stir discourse and debate. Hadid’s design for the new civil courts building in Madrid is no exception. Planned as part of the new Campus de la Justicia at Valdebebas in the Spanish capital city, Hadid’s Civil Court is expected to become a focal point among works from Norman Foster, IM Pei and others. While we are not always big fans of Hadid’s obsession with form, we are intrigued by the “intelligent” façade of this Madrid courthouse, that in addition to being extremely eye-catching, is intended to regulate the building’s indoor environment.

It is of course the intelligent façade that caught our eye with this design. Made of metallic panels, this double-ventilated envelope is a dynamic, moving component that will respond to the environment by opening and closing. We only have an abstract understanding based on the architect’s website, but it sounds like heating, cooling and ventilation will all be moderated and control through this intelligent façade. On the roof, these metal panels will include integrated photovoltaic cells.

The proposed 74,500 square meter (~800,000 square foot) building features a spiraling semi-circular atrium that overlooks an interior public courtyard. This space is meant to draw visitors and connect the building with the surrounding campus. The atrium also brings natural light down through the building and into court rooms.

The project is slated for completion within two years and, as with all of Zaha Hadid’s extreme designs, we definitely plan to follow the progress and check it out in its final form. Always interesting and thought provoking (both good and bad), there is something about the work of this architect that just keeps her in our sights. It will be interesting to see if her latest design

 

 

In the name of the father

Vidal Sassoon’s groundbreaking hairstyles made him a legend. Then he sold out. Now his son, Elan, hopes to build on his vision.

By Christopher Muther, Globe Staff
October 2, 2008
Elan Sassoon was, for years, quite certain he had no interest in the family business. The hair salons, sleek beauty schools, and product lines that made his father, Vidal Sassoon, the best-known hairstylist in the world held little allure. Instead, the younger Sassoon graduated from college in 1993, raised $10 million, and started producing films.

In a few years, his company, Skyline Entertainment, was making critically lauded indie movies with stars such as Blythe Danner, Peter Gallagher, and Lara Flynn Boyle. He was walking the red carpet at Cannes, hanging out with Gwyneth Paltrow and Ethan Hawke.

“I was Mr. On-the-Rise Film Guy,” Sassoon, now 38, recalls.

But the demands of film schedules and festivals, while making him someone to watch in the movie industry, was putting stress on his marriage. He had to make a choice: film or family. He chose family.

The decision drew Sassoon back to the family business, and in no small way. Next year, on Commonwealth Avenue near Boston University, he’ll open the Institute of Hairdesign by Elan Sassoon, slated to be the largest cosmetology school in the world, the first of four across the country. This month, he launches two high-end salons called Mizu, one here with his four business partners  at the posh Mandarin Oriental hotel, another in New York on Park Avenue. He’s partnered on a line of spas called Green Tangerine, and rolls out his own product line next year.

Elan Sassoon is not a hairstylist. He’s a businessman, one with a clear motivation for diving back into the industry he grew up with. He’s determined to expand upon his father’s vision – a vision that changed the beauty industry and the salon world, a vision that Vidal Sasson created, nurtured, and then, in 1983, sold for tens of millions of dollars, losing control of his name in the process.

“My dad didn’t really want to sell in the first place, and it’s something that he always regretted,” Sassoon says. “I want to finish what he started.”

A cut above
Vidal Sassoon built an empire based on his famed geometric cuts and the omnipresent catchphrase “If you don’t look good, we don’t look good.” In the 1960s, Vidal ran in the same celebrated, swinging London circles as the Beatles and the Rolling Stones.

In 1968, Vidal Sassoon was paid $5,000 to cut Mia Farrow’s hair on the set of “Rosemary’s Baby” while dozens of photographers captured the moment. Her pixie cut became as emblematic of the era as miniskirts and bell-bottoms. Sassoon’s haircuts were so influential during this period that the designer Mary Quant declared him “the Chanel of hair.” The first celebrity hairstylist, he had his own TV show in the 1980s, “Your New Day.”

The younger Sassoon says he’s building his brand through business acumen. But it doesn’t hurt that he has the most recognized last name in the salon business and grew up immersed in the culture. His father regularly pulled him out of school to travel to international salons and fashion shows.

“I learned a lot about that world because it was all around me, and it was great,” Elan says over a cup of English breakfast tea at the Bristol Lounge last week. “But it wasn’t where I thought I would end up.”

With a laid-back California lilt to his speech and shoulder-length auburn hair, Elan grew up in a world of bigger-than-life Hollywood parties and celebrity classmates in Beverly Hills. While his sisters loved the glamour of a splashy entrance, the shy Elan and his younger brother would avoid the red carpet and slip into events through the back door.

His mother is actress Beverly Sassoon (nee Adams), best known for her recurring role as Lovey Kravezit in the Matt Helm series of films with Dean Martin. After his parents divorced in 1980, Elan lived with both parents, but he was so shy that even his mother’s celebrity boyfriends couldn’t draw him out of his shell.

“My mom was dating Erik Estrada for a while, and he would pick me up from school on his ‘CHiPs‘ motorcycle,” Sassoon says of the ’70s TV heartthrob. “I was so embarrassed I would tell him to park a few blocks away and I would get on there so the other kids didn’t see me.”

Childhood friend Jason Goldberg, who formed Katalyst Media with Ashton Kutcher and produced “Punk’d” and “Beauty and the Geek,” says even though Elan grew up surrounded by decadence, he’s always been remarkably grounded.

“Even when he was a kid, he wasn’t fazed by any of it,” Goldberg says on the phone from Los Angeles. “Here was a guy who always had a good head on his shoulders. He has the business sense and the level of style and taste to pull off just about anything.”

The one business venture Elan couldn’t pull off was the one closest to his heart. In 2002, he tried to buy back his father’s beauty schools and hair salons. Shortly after his parents’ divorce, his father sold his line of hair products to Richardson-Vicks (later acquired by Procter & Gamble) and the salons and beauty schools to his three top salon managers. The way Elan tells it, his father did not want to sell when Richardson-Vicks made its $125 million offer, but he was outvoted by his shareholders. More than two decades later, Elan Sassoon secured financing to buy back the Vidal Sassoon salons and schools, and worked out an agreement with P&G, which owns the Vidal Sassoon name. But his offer was rejected. The salons were sold to the Regis Corp.

“That took six months of my life to plan and put together,” Elan says, still stung by the loss. “It was a pretty big blow when it was sold to Regis.”

He decided then that if he couldn’t buy back the salons and schools his father started, he’d open his own.

What price beauty?
Elan Sassoon’s state-of-the-art school – with tuition of $19,500 a year – will be one of the priciest beauty academies in the country, and only the second with on-campus housing. The 600 students will also undergo more hours of training than any other Massachusetts cosmetology school. Sassoon says his students will graduate with a far broader knowledge of hair cutting and styling, a concept that other salon owners in Boston applaud.

“They are trained to do the basics,” says Serge Safar, owner of Safar Coiffure on Newbury Street, of the students coming out of beauty schools. “But we end up having to train them another year or two before we can put them on the floor. A more complete education would be a huge benefit.”

Sassoon says he’s commissioning new textbooks that will provide a history of beauty. He’s bringing in experts such as Patrick McGinley, who worked as creative director at the Vidal Sassoon salon on Newbury Street, to craft a curriculum.

But one person who will not be teaching at the academy is Vidal Sassoon himself, now 80. When he sold his name, products, and schools, he signed agreements not to re-enter the beauty world. But he has little doubt that his son’s plans will succeed.

“He’s teaching the old man a thing or two,” the elder Sassoon says on the phone from his home in London. “Hair styling has always been a very exciting world. I wasn’t exactly quiet. I guess he saw what was going on and thought, ‘I can do better than him.’ And I honestly think he will.

“I mean, his whole marvelous idea of adding rooms for people to stay while they’re at school – that was his original idea. I never thought of that. We had schools and never did that. He’s a thinker and a visionary. I’m more than pleased.”

Choosing Boston
The decision to locate the academy in Boston was based, in part, on the city’s strong emphasis on education and its large student population. Elan Sassoon was born in New York, grew up in LA, and spent a year at Berkshire Academy.

But Boston became central to Elan’s world for another reason. In January 2007, his wife of 14 years, Adriana, was diagnosed with Hodgkin’s lymphoma. A former ELITE model in her native Brazil, Adriana endured a frustrating series of biopsies in Miami, where the family was living. In search of the best care, Adriana quickly moved to Boston for treatment. Elan and their two children followed that May. The family lives in Chestnut Hill. Adriana recently celebrated her first cancer-free year.

Boston appears to be a good fit for Sassoon, who confesses that he’s far more traditional and strict than his parents when it comes to marriage and family. He was married at the age of 24 and after seeing the result of divorce growing up, his priority is making his marriage work.

“It wasn’t a good situation,” he says of the years after his parents’ divorce. “The boyfriends and the girlfriends and all these people coming into the picture. It’s nice today because I’m still friends with a lot of them. My mom went out with Senator Bill Cohen for three years, he was the secretary of defense. And we’re still friendly.”

Over lemon chicken at P.F. Chang’s a few days later, Sassoon tells stories of a recent New York City media blitz, where magazines such as Men’s Vogue and Details met with him for upcoming feature stories on the low-key and charismatic man and his budding hair empire.

“It’s a little different these days from when I was a kid,” he says. “I think I’ve definitely gotten over my shyness and fear of the red carpet. I kind of enjoy it now.”

Christopher Muther can be reached at muther@globe.com

 

NOTÍCIAS
Entrevista: Flávio Gikovate

Amor ou individualidade? Para psicanalista, o ideal de amor romântico está fadado ao fracasso

Foto: Divulgação
 

Eu sem você não tenho porquê, porque sem você não sei nem chorar. Sou chama sem luz, jardim sem luar (…) Tristeza que vai, tristeza que vem. Sem você, meu amor, eu não sou ninguém Os versos da canção Samba em Prelúdio, de Baden Powell e Vinícius de Moraes retratam o amor dos sonhos de todos que buscam por um final feliz, certo?

Errado! Para o Psicanalista Flávio Gikovate, em seu 26º livro Uma História de Amor… Com Final Feliz, o ideal de amor romântico que predomina no imaginário coletivo está com os dias contados. Baseado nas experiências de seus 40 anos de atuação na psicoterapia e em suas vivências pessoais, Gikovate apresenta uma proposta inusitada acerca da questão do amor: formar laços que respeitem a individualidade; ou viver só, estabelecendo vínculos afetivos e eróticos mais superficiais.

Médico psiquiatra formado pela USP, apresentador do programa No Divã do Gikovate, da Rádio CBN, e autor de diversos livros sobre a sexualidade humana e o tema do amor, Flávio Gikovate conversou com o Guia da Semana e aconselha que o famoso ficar pode ser um interessante método para atingir a maturidade nos relacionamentos.

Guia da Semana: No livro Uma História de Amor… Com Final Feliz, você diz que o amor como vivenciamos hoje é imaturo e regressivo e propõe que os relacionamentos sejam mantidos pelo +amor . Como você define este sentimento?

Flávio Gikovate: O +amor traz uma relação compatível com os tempos modernos, que respeita a individualidade. Existe respeito, alegria e prazer de estar junto, e não mais uma relação de dependência, em que um responsabiliza o outro pelo seu bem-estar. É parecido com a amizade porque aproxima duas unidades e não duas metades . Basicamente, é uma forma adulta e sólida de relacionamento, na qual a palavra concessão é substituída por respeito.

GDS: Muitos relacionamentos acabam porque o parceiro estava se sentindo sufocado pelo outro. Como você explica este comportamento?

FG: Esse comportamento nada mais é do que medo de se relacionar. Parte desse medo é o de perder a individualidade. Então, o indivíduo foge. Se não foge, chega uma hora em que começa a se sufocar pela falta da individualidade de novo. Mas com o tempo o medo vai diminuindo junto com a vontade de ficar grudado e vai aumentando a individualidade. É como se o amor bem resolvido curasse o indivíduo do mal de amar.

GDS: Neste contexto, como fica o ideal de fusão de um relacionamento?

FG: Primeiro, é importante lembrar que o sonho de fusão continua presente. Mas duas coisas modificaram esse ideal do amor: a independência da mulher, desequilibrando a idéia de fusão com uma liderança masculina, e o avanço tecnológico, que criou condições extraordinárias para o entretenimento individual. Hoje, há uma briga muito mais ostensiva entre amor e individualidade. Nesse sentido, acho que o +amor tem grande chance de prevalecer.

GDS: E o ficar , onde se enquadra?

FG: As relações amorosas sempre vão existir. O que eu defendo, e acredito, é que elas vão mudar. Porque o mundo mudou e está impondo a necessidade de levar em conta a individualidade. As relações casuais também vão continuar acontecendo. E, nessa nova ordem, ela nem sempre será considerada ruim. Se houver maturidade de ambas as partes, restará sempre uma boa relação afetiva, ainda que superficial. O status do ficar , criado pelos jovens, é uma condição de relacionamento simplesmente perfeita. É um bom ensaio para atingir a maturidade.

GDS: As mulheres sentem mais dificuldade em lidar com a solidão?

FG: Depende. A mulher que consegue trabalhar a sua individualidade consegue viver bem sozinha. Elas são as que mais caminham no processo de individuação, pois são vítimas dos relacionamentos de fusão romântica . As maiores renúncias são exigidas das mulheres. Hoje, as relações são mais cooperativas e ambos, por meio de negociações, decidem o que será feito em conjunto.

GDS: O que é preciso para viver uma relação amorosa mais individualizada?

FG: Temos que ser observadores imparciais e tirarmos vantagens das coisas em vez de ficar lamentando. A vantagem é: avanço moral, avanço da capacidade dos seres humanos de ficarem sozinhos e aprendizado para resolver essa situação de incompletude. Essa é uma novidade que mata a idéia do amor no seu sentido tradicional, como remédio para a incompletude. O amor como remédio tem que desaparecer porque é um mau remédio.

Foto: Divulgação
 

GDS: Como a mulher deve lidar com a pressão que a sociedade impõe a favor do casamento?

FG: Atualmente, há muitos solteiros felizes. E a pressão em relação ao casamento reduziu muito nos últimos anos. A maioria das pessoas leva uma vida serena e sem conflitos. Quando sentem uma sensação de desamparo, aquele vazio no estômago por estarem sozinhas, resolvem a questão sem ajuda. Mantêm-se ocupadas, cultivam bons amigos, lêem um bom livro, vão ao cinema. Com um pouco de paciência e treino, driblam a solidão e se dedicam às tarefas que mais gostam. Os solteiros que não estão bem são, geralmente, os que ainda sonham com um amor romântico. Ainda possuem a idéia de que uma pessoa precisa de outra para se completar. Pensam, como Vinícius de Moraes, que é impossível ser feliz sozinho . Mas isso já caducou! Então, acabam vivendo tristes e deprimidos.

GDS: E quanto ao sexo, para um casal se dar bem na cama é preciso separar sexo e amor?

FG: O sexo é uma área em que ainda precisamos avançar. Em nossa cultura, o sexo vai melhor quando há briga. As pessoas gostam mais de transar com inimigos do que com amigos. Isso mostra como precisamos avançar no entendimento da questão sexual. Ainda é preciso inventar um erotismo que não seja comprometido com vulgaridade e violência. Para superar isso, é preciso ser criativo e entender que as leis da atração sexual não são as mesmas das relações afetivas de boa qualidade. Na hora do sexo, talvez seja necessário mudar o canal, no qual o outro tem de deixar de ser o parceiro sentimental para ser um outro parceiro. É assim que os casais que se amam de verdade descobrem estratégias para que o sexo flua.

GDS: A mulher moderna concilia diversas tarefas: ser mãe, profissional, dona de casa e amante. Essa multiplicidade feminina pode prejudicar o relacionamento?

FG: As mulheres ainda pensam como suas mães. Embora elas sejam maioria nas universidades, elas ainda imaginam o casamento como estabilidade sentimental e material. Isso mostra que, apesar da multiplicidade de papéis, a mulher ainda relaciona amor e casamento. Amor é um assunto e casamento é outro. Nos relacionamentos baseados no que chamo de +amor , os maridos não serão mais protetores ou provedores. Eles terão de ser encarados como companheiros, parceiros de viagem. Mas isso só é possível para aqueles que conseguem trabalhar a sua individualidade.

PONTE AGUA ESTAIADA

PARQUE DO IBIRAPUERA

A Ponte Estaiada é o novo cartão postal de São Paulo. Nada como um dia depois de outro. A ponte da Marta era “um absurdo”, “desnecessaria”. Serra-Kassab chegaram a suspender a obra durante um ano tendo que pagar multa depois. As infâmias e ataques, também rejeitados pela justiça e, neste caso, até pela própria administração municipal, eram moeda corrente. Hoje o Jornal da Tarde a erige no novo cartão postal da cidade.

Ela destrona outra obra de Marta, a fonte de Ibirapuera. Outrora acusada de poder infectar o público e de atrapalhar o trânsito, a fonte já foi utilizada como fundo para os programas da rede Globo.

 KINETICS BY PHILIPS

Como será a sua casa em 2013? Em uma época em que a tecnologia evolui mais rápido que a vida útil de um iPod, responder a esta pergunta pode ser um tanto complicado. Mas algumas pistas do que está por vir estão espalhadas nas tendas brancas sob a recém-construída – e moderníssima – ponte estaiada da marginal do rio Pinheiros, em São Paulo. Na mostra The Simplicity Event, evento da Philips que já passou pela Holanda, Inglaterra, Estados Unidos e China, cinco ambientes exibem os protótipos e produtos-conceito que a fabricante de eletroeletrônicos holandesa espera que você use daqui a cinco anos de uma forma tão natural quanto é usar hoje um rádio de pilhas. Em comum, todos tentam aliar tecnologia a um belo design para atender de forma simples os desejos de consumidores de todo o mundo.

Cada espaço da mostra é dedicado a um tema. No Ouça o seu corpo, a idéia é prevenir o que será mais difícil e caro de remediar depois com aparelhos que promovem uma vida mais saudável. Luz e sons também ajudam nesta tarefa, como ajudam a entender as estações Cuide do seu corpo e Relaxe a Mente. Nelas, aparelhos usam freqüências de luz para despertar, relaxar e energizar seus usuários, enquanto outros tornam os ambientes da casa mais confortáveis e divertidos.

“Nada de inércia” é o lema do espaço Mexa o seu corpo, em que pisos interativos e paredes luminosas entretêm as crianças enquanto seus pais se exercitam com um personal-trainer virtual. E, na era da hiperconectividade, não poderiam faltar os aparelhos mostrados na estação Compartilhe Experiências, como o porta-retrato digital que envia e recebe fotos e uma tela sensível ao toque criada para enviar e receber mensagens de texto e vídeo. “Nem todos estes produtos irão para o mercado”, diz Stefano Marzano, diretor mundial de design. “Nossos testes mostram que alguns atendem a um público mais amplo, e são estes que levaremos à frente”.

Aparelhos com funcionamentos e formas tão diferentes têm todos um mesmo conceito por trás: usar a tecnologia para criar um estilo de vida mais harmonioso. Desde 2004, este tem sido o lema – e a estratégia de negócios – da Philips. Isso significa inverter o paradigma da tecnologia pela tecnologia em nome de uma abordagem mais humanizada com tecnologias sintonizadas com as necessidades de pessoas comuns. “Não somos mais uma empresa orientada para tecnologia, mas para o consumidor”, diz Geert van Kuyck, diretor mundial de marketing da companhia.

Esse foco diferenciado está dando certo para a empresa. Avaliada em US$ 7 bilhões, a Royal Philips Electronics já ocupa a 42ª posição no ranking internacional de marcas mais valiosas do mundo elaborado pela consultoria Interbrands. A empresa foi eleita a 38ª mais inovadora pela revista Business Week em 2007. “Nos últimos cem anos, as empresas se esforçaram para criar a próxima grande onda e todos seguiam atrás”, diz van Kuyck. “Nos próximos cem, será muito mais importante entender primeiro os problemas dos consumidores para só então trazer soluções na forma de produtos”.

Confira abaixo uma galeria com os principais destaques de cada estação da mostra:

PINTANDO O SETE: com Drag & Draw, pintar a parede é permitido. As crianças escolhem as cores no balde eletrônico, que projeta na parede os traços feitos com uma caneta especial. Depois, elas podem adicionar som e movimento aos desenhos

CONFORTO: Na sala de estar do futuro, o conforto não vem só do sofá. Luzes coloridas e sombras são projetadas para gerar sensações e complementar o clima criado com o sistema de som moderno (sobre a prateleira) que mais parece uma obra de arte

ESPELHO, ESPELHO MEU: o InForm avalia o peso, gordura e hidratação do corpo do usuário e mostra os resultados e até dá informações sobre o período fértil feminino por meio de uma tela que parece um espelho quando desligada

RELAXE: o Soft Therapy reduz a tensão muscular com uma combinação de calor, massagem vibratória e raios infravermelhos. Como o colete não tem fios, pode ser usado enquanto se anda dentro de casa. E é tão fino que dá para colocá-lo embaixo da roupa

VOCÊ TEM UMA MENSAGEM: o InTouch é a versão moderna do quadro de recados. Com a sua tela sensível ao toque, dá para escrever nele com uma caneta especial e enviar recados via internet para os amigos. Também permite gravar mensagens de vídeo

Woman works to light up Boston’s skyline

One woman is working on painting parts of the Boston skyline’s canvas with light.

Lana Nathe of Light Boston, and 30 other lighting experts, want to add modern lighting designs to structures around the city. They hope to thrust Boston further into the international spotlight.

Nathe has already made her impact felt – she re-lighted the Old North Church for former president Bill Clinton’s visit last fall.

Light Boston’s long-term goal is to light nine buildings known as the “Diamond Necklace.” Short term, they are focusing on the Convention Center.

While Phillips will donate some of the supplies, including energy-efficient lightbulbs, Nathe hopes the rest of the bill will be paid for with private donations and grants.

Light Boston, Inc.’s mission since 1996 ,is to illuminate 25 Historic Boston bldgs “permanently” – one of these buildings is included in the illuminate Boston’s First Festival of Light, which will temporarily illuminate 10+ bldgs & bridges along the Seaport & Fort Point Channel in Boston in mid October founded by Lana Nathe in 2007.